On paper there’s a good case for calling it the best game of 2008. But for all the impressive things built into ‘Fallout 3′, what’s left out prevents it from being as satisfying as its potential.

Why everyone should try it, some will find it maddening, and in the end it’s all worth it.

‘On The Rain-Slick Precipice of Darkness’ nails the sweet spot of episodic content delivery and captures the spirit of its sources.

If ‘Dead Space’ is a big success, it might not be because there are millions of ‘fans of the genre’ who couldn’t wait to go out and play a B-grade release that recycles the ideas of its predecessors.

“Masters of Horror Taking on Comedy” betrays its embarrassing boardroom creativity. Here are three ways Microsoft could better serve their audience and build their service.

In a sense, Jonathan Blow’s indie gem is storyless, and leaves us to extract whatever story we glean from playing it.

Call of Duty 4 is much more than just another war game for the trigger-happy — it evolves the way you experience pain, and even death, through your game character’s eyes.

Mass Effect goes back to the blueprint stage of its Star Wars source material, and instead of recreating the films, delivers the perfect blend of fresh and familiar.