No matter which side of the geek fence you fall on, ‘Scott Pilgrim’ is still a movie that needs to be seen — mainly because its visual style is unlike anything out there.

By setting its action in a literal out-of-body experience, Limbo changes our perception in two major ways that make it essentially and marvelously different than its peers.

Like the best shows for kids or adults, Avatar assumes we have the patience to get involved with its characters as human beings, not just action figures.

An undercurrent of condescension mars the early praise for the summer’s most anticipated blockbuster.

Brian and Spencer discuss albums by Sleigh Bells, The National, and The Black Keys, and the novels Matterhorn and A Game of Thrones (Song of Ice & Fire vol 1). Also, the shows they’re keeping busy with this summer (Avatar: The Last Airbender and Daria) and the stupid movies they’re not seeing.

A brief overview of this year’s LA Film Fest selections, with a list of the top films that really floored me this year.

Despite bigger games pushing the boundaries of technology, a short little Flash game about robots has more personality and charm than any number of its blockbuster competitors.

If there’s reason to be disappointed in the way Lost ended, it’s only because they attempted the impossible and did a B+ job at it.

Brian and Spencer discuss The Damned United, new albums by The New Pornographers, Broken Bells, Titus Andronicus, and seeing Pavement live. Plus, the friendship-crippling online game Neptune’s Pride and the questionable behavior of Steve Jobs.

A desperate letter from inside the biggest game ever.